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Friday, April 10, 2026

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Zach Bryan’s new album is making poetry cool again

By Maggie Eastland · Monday, Aug. 28, 2023

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‘Hamlet 50/50’ foregrounds women, loses Hamlet

By Cecelia Swartz · Monday, Aug. 28, 2023

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The return of the summer blockbuster

By Natalie Allton · Friday, Aug. 25, 2023

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She’s Barbie: She does it all

By Cecelia Swartz · Friday, Aug. 25, 2023

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Starting fresh: A guide to arts and culture at Notre Dame

By Anna Falk · Friday, Aug. 18, 2023

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‘Oppenheimer’: American Atlas

By Ayden Kowalski · Tuesday, July 25, 2023

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A preview of Pitchfork Fest 2023

By Claire Lyons · Sunday, July 16, 2023

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Hangout at one of the best music festivals of the summer

By Audrey Wild · Friday, May 26, 2023

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Commencement 2023: The last four years in review

By Anna Falk · Friday, May 19, 2023

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Scene-ior Selections 2023

By Observer Scene Staff · Monday, May 1, 2023

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‘Beef’: Netflix says ‘know thy enemy’

By Claire Lyons · Friday, April 28, 2023

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‘The Legend Of Zelda: Tears of the Kingdom’: Living up to expectations

By Gabriel Zarazua · Friday, April 28, 2023

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‘Wicked’: The popular musical and its upcoming adaptation

By Andy Ottone · Thursday, April 27, 2023

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A return to a galaxy far, far away: A ‘Star Wars’ retrospective

By Nicole Bilyak · Thursday, April 27, 2023

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The power of animation: A Shrektrospective

By Anna Falk · Wednesday, April 26, 2023

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‘Jury Duty’: A trial by fire feat of comedy

By Claire Lyons · Wednesday, April 26, 2023

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The Notre Dame dorm personality test

By Angela Mathew · Tuesday, April 25, 2023

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‘Mighty Morphin Power Rangers: Once & Always’: Cheesy and heartwarming as ever

By Gabriel Zarazua · Tuesday, April 25, 2023

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‘The Phantom of the Opera’: A Broadway legend

By Andy Ottone · Monday, April 24, 2023

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In memoriam: The Script’s Mark Sheehan

By Nicole Bilyak · Friday, April 21, 2023

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Former players gather to remember the life of Lou Holtz

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