Best of 2022: Scene on the screen
Scene has voted. Here are the top 15 films of 2022, carefully selected and compiled by The Observer’s entertainment and culture section.
Scene has voted. Here are the top 15 films of 2022, carefully selected and compiled by The Observer’s entertainment and culture section.
As Congress was passing the Respect for Marriage Act last week, members of Pasquerilla East Musical Company (PEMCo) were hard at work preparing for their fall show, “Bare: A Pop Opera,” which features a closeted gay couple.
Arctic Monkeys is one of the most well-loved rock bands of the 21st century. Hailing from Sheffield, England, this quartet has reached international fame over the past two decades. They’ve garnered a loyal fan base, put out albums relatively consistently and have created high expectations for the quality of their work — so how does “The Car” measure up?
There are movies that make you feel something. Then, there are the gut-wrenching movies that shatter the very expectations that you have about love and leave you and your group of friends crying for 20 minutes after the credits have rolled. “My Policeman,” written by Bethan Roberts, does a phenomenal job of shifting the viewers not just physically to Brighton, England, but mentally into the 1950s. The atmosphere of lost dreams due to societal oppression — since being gay was illegal at that time — mixed with desires of having an ideal life that seeks validation from that very society sets up a conflicted tension throughout the film. The movie took place in the past and present, showing the younger versions of the policeman Tom (Harry Styles), teacher Marion (Emma Corrin) and the museum curator Patrick (David Dawson) for the majority of it. The three characters are intertwined in a hopeless love triangle where Marion is unaware or purposely shielding her eyes to the obvious truth that her husband Tom is gay.
As the sun starts setting later and the wind gets colder, we all need a sunny, summer escape. “Glass Onion: A Knives Out Mystery” centers on private detective Benoit Blanc (Daniel Craig; “Casino Royale,” “No Time to Die”), returning from the film “Knives Out.” Blanc finds himself on a private island getaway with a billionaire and his influential, famous friends. The only issue? Benoit was never meant to show up. When people start turning up dead, the investigation begins.
On Nov. 28, the “Fashion Ethics” class at Saint Mary’s showed a movie titled “The True Cost,” which showcases the negative impacts of fast fashion in a number of ways. The countries that are most affected by the industry are developing countries who fall victim to the unethical practices of corporations.
When I told my friend about “The Rabbit Hutch” winning the National Book Award, she naturally asked me what the book is about.
With the holiday season coming, what better way to spark up Christmas cheer than to talk about a beach movie!
The holiday season is in full swing! Here are some of Scene’s reflections and suggestions to begin this holiday season.
Little did I know, when I took up a suggestion at my favorite Observer department meeting on Sunday to write a review for “Black Panther: Wakanda Forever,” I’d be enjoying almost four hours of my Monday afternoon, time I ought to have spent doing ethics homework, at the Cinemark in Mishawaka. Though I’m quite sure this was the first time I have ever gone to a movie theater alone, it’s not that I’m in any way movie theater adverse. I enjoyed watching “Minions: The Rise of Gru” in theaters with my friend Nate over the summer as much as the next 20-something-year-old. So, when I came across the opportunity to review a sequel who’s antecedent, 2018’s “Black Panther,” I had yet to watch, I jumped on the chance. It just didn’t cross my mind that they still released movies that weren’t on Netflix.
I’d never thought I would see people cheering over a melancholic harmonica solo, but here I was, cheering with them.
Lindsay Lohan is an icon, and her nearly decade-long break from acting made her return that much more exciting. Lohan chose to make her comeback in Netflix’s holiday rom-com “Falling for Christmas.”
In 2016, Walt Disney Animation released its 55th animated film, “Zootopia.” Many fans of the film have been patiently waiting for a sequel to the movie to pick up right where the film left off. However, Disney decided to take a different approach to the “Zootopia” world and announced they were going to release a web-television series that is simply titled “Zootopia+.”
I recently watched the 2005 film “Pride and Prejudice,” based on Jane Austen’s 1813 novel of the same name. It was excellent. Many movie adaptations of books struggle to convey their lengthy events in a completely different medium, but this is not the case with “Pride and Prejudice.” The writing succeeds in staying true to the book and creating an enjoyable movie. Readers of the novel will appreciate the actors’ interpretations of their respective characters. However, you could watch the film without reading the book and immensely enjoy it.
On Nov. 26, 2021, the theater world mourned the loss of composer Stephen Sondheim. Sondheim, 91, passed away due to cardiovascular disease at his home under the loving care of his husband Jeffrey Scott Romley. One year after his passing, we look back at his career through his works, those he inspired and the legacy he has left behind.
Any fan of the Emmy Award-winning, “The Handmaid’s Tale” could not deny their anticipation for the premiere of the show’s fifth season on Sept. 14. Streamed on Hulu, “The Handmaid’s Tale” expands upon Margaret Atwood’s 1985 novel, telling the story of June Osborne’s life after being forced to become a Handmaid under the theocratic country of Gilead. As a Handmaid in this dystopian world, June Osborne was faced with bearing children for the Commander whose house she lived in under the guidelines of his wife. I think it’s safe to say the show is set on a pretty wild premise, but fans have shown dedication to watching the characters’ strength against a belief structure that sees them as property.
On Thursday, Friday and Saturday, the Not-So-Royal (NSR) Shakespeare Co. performed an only slightly abridged “The Winter’s Tale” (circa 1609-1611), which, with its almost symmetrical split into two halves of dark tragedy and comic romance, illustrates — perhaps more clearly than any other Shakespearean play — the genre of tragicomedy.
When I heard that Saint Mary’s Theatre Department was planning a production of “Legally Blonde,” I was excited to say the least. The feeling of nostalgia watching this musical combined with the way Saint Mary's College has empowered women was an amazing combination.
“Bergman Island” (2021) was screened at the DeBartolo Performing Arts Center this past Wednesday as part of the Nanovic Institute for European Studies’ film series. The film is directed by French-Swedish director Mia Hansen-Love who follows two filmmakers and their relationship with each other and with famed director, Ingmar Bergman.
“I was born with an eccentric heart.”