Scene
The masters (of fine arts): Graduate thesis exhibit reviewed
By
Meg Sluzas
· Thursday, April 21, 2022
‘Fantastic Beasts: The Secrets of Dumbledore’ should have stayed secret from the public
By
Matheus Herndl
· Thursday, April 21, 2022
‘Metal Lords’: How not to make a film about metal music
By
Justin George
· Wednesday, April 20, 2022
Death Grips’ ‘The Money Store’ turns 10: A look back at one of the most influential albums of the 2010’s
By
Matheus Herndl
· Thursday, April 14, 2022
‘Thank You For the Music[al]’: a reflection on ‘Mamma Mia!’
By
Maggie Clark
· Wednesday, April 13, 2022
‘Everything Everywhere All at Once’ is the best multiverse film ever
By
JP Spoonmore
· Wednesday, April 13, 2022
Notre Dame Folk Choir presents moving rendition of ‘The Passion’
By
Marcelle Couto
· Tuesday, April 12, 2022
‘She Kills Monsters’: A fascinating portrait of the average woman
By
Rose Androwich
· Monday, April 11, 2022
‘Rosencrantz and Guildenstern Are Dead’ proves that theatre isn't dead
By
Natalie Allton
· Monday, April 11, 2022
‘Melt My Eyez See Your Future‘: Denzel Curry's personal exodus
By
Ayden Kowalski
· Tuesday, April 5, 2022
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