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‘Revolutionary Girl Utena’ remains a masterpiece of animated storytelling

By John Clark · Monday, Nov. 8, 2021

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HONNE's new album: Leaving the singles bopping and crying

By Kate Casper · Monday, Nov. 8, 2021

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'Halloween Kills' all hope in the franchise

By Justin George · Friday, Nov. 5, 2021

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Not-So-Royal Shakespeare Company masters 'Macbeth'

By Rose Androwich · Friday, Nov. 5, 2021

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'The Last Duel': An experienced cast

By Joyce Fu · Thursday, Nov. 4, 2021

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The best of both worlds in ‘Moral Panic (The Complete Edition)’

By Anna Falk · Thursday, Nov. 4, 2021

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TikTok ‘philosophy’ is corrupting the youth

By Jim Moster · Wednesday, Nov. 3, 2021

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Opera Notre Dame presents a cinematic wonder at the Browning

By Marcelle Couto · Wednesday, Nov. 3, 2021

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Let ‘Venom: Let There Be Carnage’ be great

By Nicole Bilyak · Tuesday, Nov. 2, 2021

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Halloween Essentials, Vol. 4: The weird

By Justin George · Tuesday, Nov. 2, 2021

‘The Love Hypothesis’: TikTok made me read it

By Christine Hilario · Monday, Nov. 1, 2021

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Wes Anderson’s new film: ‘The French Dispatch’

By Gracie Simoncic · Friday, Oct. 29, 2021

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A reimagined ‘West Side Story’ is just around the corner

By Marcelle Couto · Thursday, Oct. 28, 2021

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Coldplay’s ‘Music of the Spheres’ enters a new universe

By Olivia Seymour · Thursday, Oct. 28, 2021

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Money-grab or masterpiece: Does ‘Dune’ measure up to the hype?

By Anna Falk · Wednesday, Oct. 27, 2021

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Mitski is ‘Working for the Knife’

By Claire Lyons · Wednesday, Oct. 27, 2021

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Halloween Essentials, Vol. 3: The supernatural

By Justin George · Tuesday, Oct. 26, 2021

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And that's a wrap on the 2021 Chicago International Film Festival

By Aidan O'Malley · Tuesday, Oct. 26, 2021

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Scene at Chi Film Fest: ‘Spencer,’ ‘Mayor Pete’

By Aidan O'Malley · Sunday, Oct. 24, 2021

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Scene at Chi Film Fest: ‘Belfast,’ ‘Cow’

By Aidan O'Malley · Friday, Oct. 22, 2021

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