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Tuesday, April 7, 2026
The Observer

Scene


The Observer

Electronic music's breath of fresh air

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Every music aficionado remembers "the good old days." For some, it's the 60s, the era of Rock and Roll, when the pop music scene boasted groups that were constantly innovating and sending messages through their lyrics. For others it's the early 2000s, when a spree of classic indie rock records spanning Modest Mouse's "The Moon and Antarctica" to Arcade Fire's "Funeral" were released upon the world. In some rare instances, we get to live through days that we know will be "the good old days" - as my friend and band member Gray Whisnant once said, "We're fortunate to be alive when Kanye West is still releasing music."


The Observer

Worst thing ever: cheese and snobbery

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While filling our cart with the usual yogurt, granola bars and Keurig cups on a trip to a nearby grocery store, my friend experienced a sudden burst of inspiration. 



The Observer

Five-Foot-Nothing

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When the stadium janitor in every Notre Dame student's favorite movie tells Rudy Ruettiger he's five-foot-nothing, I can relate.


The Observer

The Kickback: Vic Mensa

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Way back in April, I wrote that Chance the Rapper's "Acid Rap" was the best listen of the year - fluid, thorough, fun, witty, with a hint of jazz. On one of "Acid Rap's" hit songs "Cocoa Butter Kisses" raps one of Chance's biggest competitors and best friends Vic Mensa.



The Observer

Keep Your Summer Setlist

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While everyone else is excited about the coming of October, I can't help but get a little choked up. No, I'm not crying over how excited I am to wear scarves, how much I love pumpkin spice lattes or how I "just can't wait to go on a hay ride!" The reason I've been constantly on the verge of tears this week is that fall came far too quickly this year. 


The Observer

Britney Gets the People Going

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Editors note: In the wake of Britney Spears' new single and Kanye West's recent outbursts (not to mention all of Miley's antics), the Scene Staff simply couldn't find a way to deal with the pop-culture chaos. While the rest of the staff sat paralyzed, anxiously awaiting the premiere of Britney's new music video and still processing Kanye's"Yeezus" publicity tour sound bites, two brave Scene writers rolled the superstars into one big, brave (and, it must be noted, satirical and fictional) column. During an attack on a snoopy paparazzo last weekend, Kanye West reportedly yelled that "'Work B**ch' has done more for America than you or your family will dream of doing." Today, we brought him into the studio to explain why he thinks "Work B**ch," Britney Spears' new single, is the song the nation needs right now. "Well, it's more than a song," he told us. "It's a statement of a generation tired of unemployment, tired of obesity, tired of bad music. Britney's struggled with all of that, really, and here she's trying to help the people out. Like my mother once said, you can't get enough plastic surgery if you believe in a better you." We asked him what he thought about the new Britney vs. the old Britney and what direction she's moving in artistically with her latest release. "It's obvious that what almost killed her has made her stronger," Kanye said. "I mean, take what 'Work B**ch' has to offer musically. Will.i.am. in the studio. Anthony Preston in the studio. Sebastian Ingrosso and Otto Knows. These guys came together and tore down dance music and built it up again - there's bass on every beat. We're talking one, maybe two chords here. Synthesizers. It's insanity. "And the lyrics. I can't have written this. It's too great, too relevant. It's the statement of our generation. Like the messages. If you want something, you have to work for it. Mind-blowing. And get this - obscure references even I didn't know. Like, what is a Bugatti? What is a France? Thank god for Urban Dictionary. Apparently, it's in Paris. It's what you know." But what about the violent language? The curse words? Should kids be exposed to this monster of a song? "Sometimes you have to force these things even if America isn't ready. Look at 'Breaking Bad,' bringing excessive violence and language into family rooms and dentists' offices nationwide. And 'Game of Thrones,' excessive nudity. America needs this, man. Nobody likes watching these shows, and no reasonable person would accept them as 'appropriate' or 'constructive,' but it's our duty, man. We have to be soldiers of knowledge, and it's The Crusades. "That's what Britney is saying. You're fat? You're probably a b**ch. Don't have a Maserati? B**ch. Don't live in France? Imma not go there, even. That's embarrassing. Like, you should work like I have and build an empire from the earth, and until then, you just have to watch me sit on my throne." Kanye West has asked that all complaints about statements made in the interview be mailed to Stetson Furnaces in New York, where they will be incinerated. His newest album, "Yeezus," is available in most stores where music is sold. Contact Daniel Barabasi at dbaraba1@nd.edu and John Darr at jdarr@nd.edu The views expressed in this column are those of the author and not necessarily those of The Observer.  


The Observer

Danny Brown Grows Up with 'Old'

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"Start acting your age." It's something we've all heard at some point. On the great road to adulthood, we find ourselves running into as many limits as new opportunities. When I turned 10, my mom finally let me chew gum more than, say, once per year. But I couldn't pull it out of my mouth and wrap it around my finger anymore or I'd lose it. It was the best of times, it was the worst of times. For a while it seemed like Danny Brown would never start acting his age. The 32-year-old rapper's ridiculous energy, eccentric haircut, and crazy gap tooth grin echoes his teenage contemporaries (think Odd Future) rather than those his age. His rap voice skirts the edge of maniacal laughter; most of his raps are best described as hysterical, taunting rants. His rhymes are clever, defiant, and boast enough drug references to make three new seasons of "Breaking Bad." His breakout album "XXX," released when Brown was 30, sounded as if some prodigious child rapper and some prodigious child producer had teamed up to make a record during their stay in a mental hospital. That youthful energy fit perfectly in today's concert culture, where many people attend concerts hoping to get crazy in the safest way possible. With the release of "XXX," Brown ascended from an obscure oddity into an indie-rap sensation. The album earned Danny an album-of-the-year award from "SPIN Magazine," a spot at Coachella Music Festival, and over a hundred thousand fans on Facebook. Danny Brown's "forever young" persona earned him immense success. As a matter of course, many fans assumed that Danny Brown would be forever young - forever. In December 2012, Danny announced that his new album would be titled "Old." At the time, the implications of the title were unclear. Was Danny being ironic? Was he hinting at a concept album built around his then-recently released single "Grown Up?" Or did it indicate that Danny was changing his sound completely? It turns out that "Old" is a bit of everything. The beats on "Old" are toned down from his previous record, consistently cleaner and more focused. Danny's rap voice is more diverse and sometimes veers into unrecognizably calm territory. On tracks like "Torture" and "Clean Up," Danny becomes almost unrecognizable as he raps about his difficult childhood. The Danny that we used to know who only rapped sex and drugs spits lines like "Gunshots outside was sorta like fireworks/we know they ain't fireworks, it's December 21st" and "I'm tired of seein' my family ****** up and hungry." Thankfully, Danny doesn't give up his old style completely. He's still full of brilliantly ridiculous lines, most memorably "Like Lieutenant Dan, I'm rollin'" on "Dip." The beats on "Old" still veer away from standard boom-bap, filled with mischievously goofy synth lines and monstrous drum beats. Additionally, "Old" features array of artists from rappers like A$AP Rocky and SchoolboyQ to indie-pop phenoms Purity Ring and Charli XCX that diversify the album's sound without breaking its cohesion. At the end of the day, "Old" is a strong record with a host of interesting beats headed by a talented lyricist. Danny's exploring new territory; his efforts aren't quite as exciting as before but they are more focused. He's changing and coming to terms with his age and it will be a while before he really grows into it. Overall, "Old" may be a new Danny, but it's still Danny, and that's a relief. Contact John Darr at jdarr@nd.edu  


The Observer

Britney gets the people going

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Editors note: In the wake of Britney Spears' new single and Kanye West's recent outbursts (not to mention all of Miley's antics), the Scene Staff simply couldn't find a way to deal with the pop-culture chaos. While the rest of the staff sat paralyzed, anxiously awaiting the premiere of Britney's new music video and still processing Kanye's"Yeezus" publicity tour sound bites, two brave Scene writers rolled the superstars into one big, brave (and, it must be noted, satirical and fictional) column. 



The Observer

Breaking Bad's' R.J. Mitte talks disability, bullying and hope

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Before R.J. Mitte's Q&A session even ended, a line already stretched out of the Washington Hall theatre, down the stairs and almost out of the building, with everyone waiting for an opportunity to shake Mitte's hand. Best known for his role as Walter Jr. (or Flynn) of the Emmy-award-winning show "Breaking Bad," Mitte came to campus Tuesday evening to discuss the effects of bullying as well as to advocate against cruelty toward the fellow man last night courtesy of SUB. Mitte expressed to students and all in attendance the true capability of humanity, of how he - as a man living with cerebral palsy - has fought to attain and remain in a position that few, disabled or otherwise, could ever hope to have. Mitte talked about the popular series, which concluded Sunday evening, in addition to his anti-bullying message. "I loved the finale. I thought it couldn't have been any better. I really couldn't ... I think it ended perfectly. It ended the way it needed to end," Mitte said. However, anyone who watched the show knows that does not necessarily mean a series finale filled with a picture-perfect ending, where everyone lives a decent, modest life of simple happiness and innocence. "This show was never going to have a happy ending. When you live in a world of violence, you come out to a world of violence. Once you start going down that slope, once you start getting in bed with these people, they won't let you leave," Mitte said. Mitte is no stranger to violence. A victim of bullying ever since he was young, he had to endure the pain of having his feet stomped on and hand broken because of his cerebral palsy. Mitte insists that there are countless forms of bullying - be it physical, emotional, cyber, verbal or even the types that people will never see or hear about. "When they do happen," Mitte said, "people don't realize the damaging effects - the long term effects - bullying has on people. Bullying only adds to what they're dealing with on a daily basis. Eventually they're going to retaliate. They're not going to retaliate at the bully. They're going to retaliate at the people they care about the most," Mitte said. However, Mitte understands that this is not an impossible problem to solve - people are available to help. Mitte considers himself lucky for having family and friends to go to battle with these bullying-victims. People are around that want to get involved. Unfortunately, as Mitte says, for as many people who do want to get involved, there seem to be an alarmingly large number of people who will just watch. "I remember, I was about 14 years old, and we were at a farmer's market. This older woman, she fell, and these people were literally stepping over [her]. They wouldn't help her out. She wasn't asking for help, but she was lying down on the ground." Mitte said. Mitte was the lone person in the entire vicinity to take initiative; it was then, he says, that he realized that that was the world we lived in - where people will step over each other. People will not think about each other. And Mitte understands that this may be what people are inclined to do, to not do. Yet Mitte encourages people to be involved. Even if it may not be the easiest choice, Mitte implores people to get involved and offer their help. "You see someone who's getting picked on, that's when you get involved," Mitte said. However, Mitte did not come to simply talk about sensitivity to those who may seem disabled; he also offered his wisdom on the capabilities of men and women, whether or not they are able-bodied. Mitte's own battle has - and will continue to be - a life-long journey. "I was 3 when I was diagnosed with my disability. I grew up dealing with OT (Occupational Therapy), speech therapy, all different types. Dealt with bullies, dealt with people telling me I wouldn't amount to much - even my own father - and I've shown them. And at the end of the day, there's one thing to remember; there's another one. One more day, one more person trying to stop you, one more person trying to take what you have. The trick is to fight for what you believe in, to fight for what you have, to fight for who you surround yourself with," Mitte said. Mitte has fought hard, putting himself in a position to succeed, and cites his own drive and ambition as a reason for his success - a drive that is, according to him, characteristic of anyone with disabilities. "People want to stand on their own two feet. It's even more so with a disability. They've had so many people cutting them down, saying, 'You can't do this. Someone without a disability should be capable of 10 times more than someone with a disability. But the thing is, you see more people with a disability with lower options fighting for a better future. They actually are fighting to get what they need. Most people are not willing to fight for what they need," Mitte said. Mitte, however, has been fighting a continually long fight - for equality. "Equality is the biggest fight. Disability, race, religion, no matter what it is: at the end of the day, equality is the biggest fight. Once you understand equality, once you have equality, there shouldn't be any doubt. It's one of those things that one problem can fix many," Mitte said. Mitte knows his fight isn't going to end anytime soon, but he said it's a fight worth fighting for, and it's not one he's going to give up on. "Equality means respect. Respect is equality. When you have respect for people around you, without labeling, without seeing them as 'the minority': that's equality. We all bleed the same blood. I've never seen a baby push someone away ... Equality has been a fight for thousands of years. It will not be fixed over night. It will not be fixed by one voice. It will be fixed by thousands of voices. It will be fixed by multiple ideals, multiple people, multiple belief systems. That's when we'll have equality," Mitte said. As Mitte talked about these ideas and his hopes for the future - no matter how distant - a certain look in his eyes betrayed a wisdom and patient determination beyond his 21 years. No matter how long, no matter how distant - Mitte is willing to fight everyday. Contact Miko Malabute at mmalabut@nd.edu 


The Observer

Timberlake's follow-up falls flat

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As I write this review, my room is flooded, thanks to quality North Quad plumbing, but I would honestly rather deal with that mess than listen to Justin Timberlake's "The 20/20 Experience - 2 of 2" again. There are definitely a few gems on the album, but all together it is exhaustingly long and loses its appeal rather quickly, failing to leave any lasting impact on listeners. 


The Observer

On The Verge to Glory

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The Observer sat down with senior film, theater and television major and director Renee Roden to discuss her student-produced play "On the Verge," by Eric Overmyer, her first production through the Department of Theater at Notre Dame. 



The Observer

Aaron Brings Party To Feve

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Club Fever: usually a place of sweaty bodies, sticky floors and life decisions you find yourself regretting as soon as you hop into the cab back home. 



The Observer

Not Exactly Pop Icons

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There's always a feeling of anticipation when a one-hit wonder drops a new album. It's this little fizz inside you that is so hopeful, wanting another 11 copies of that one song you just couldn't get out of your head. But, let's be honest, one-hit wonders are one-hit wonders for a reason.