King Gizzard & the Lizard Wizard’s ‘Changes’: Yet another idea
“We wanted to see how far we could take a single idea.”
“We wanted to see how far we could take a single idea.”
“Throne of Glass” is a young adult high fantasy novel about a teenage assassin, Celaena, who has been given a life sentence in prison and tries to win her freedom via a combat tournament. Although I enjoyed the novel, I wanted more from it.
Before we start, I know what you’re thinking: a Halloween article in November? One may think I’m getting to this late, but I prefer to say I’m getting a head start on next year’s celebrations.
To me, a museum is an incomparable location and it eludes precise description: it is a confluence of beauty, culture and history. One of my favorite activities is going to museums, and I immediately look for one whenever I am somewhere new. As such, I decided to argue this hobby should be actively cultivated.
To be honest, I walked out of the theater after watching the dark comedy “The Banshees of Inisherin” with mixed feelings. I didn’t like it. It made me feel uncomfortable and sad.
Halloween is just around the corner, and Scene has chosen its favorite songs, films and haunting reflections to celebrate!
Taylor Swift has done it once again.
On Oct. 7, the third and final season of the hit show “Derry Girls” was added to Netflix. After months of waiting patiently, international fans were finally able to watch. Premiering in 2018, “Derry Girls” follows five working-class friends at a Catholic school during the 1990s. It is a show about the mishaps of adolescence as well as the Troubles in Northern Ireland. The gang consists of the soulful but misguided Erin (Saoirse-Monica Jackson), the ditsy Orla (Louisa Harland), overdramatic Clare (Nicola Coughlan), sassy Michelle (Jamie-Lee O’Donnell) and her quiet, English cousin, James (Dylan Llewellyn). Together the five of them are the “Derry Girls” who deal with a range of teen issues, from money, romance, breaking rules, as well as the rules that come with living in Northern Ireland in the ‘90s. One example is when Michelle tries to smuggle a bag of vodka onto a bus, denies ownership of it as she is a minor and the unclaimed bag gets literally blown up by the bomb squad.
“We’re experiencin’ life through the postmodern lens/
Halloween is upon us! While there are plenty of great animated Halloween movies like “Monster House” and “ A Nightmare before Christmas,” I wanted to find one that wasn’t entirely meant for kids. I wanted to try something new and see if there were any adult animated horror movies. However, it’s surprising to see that there aren’t that many adult animated horror movies out there in the world, which is pretty sad, since I’m sure there are plenty of stories to tell that would scare some people with the power animation holds. Then, I randomly saw one movie called “Seoul Station,” an animated zombie movie. Now, I am a gigantic sucker for zombie movies, though finding a good zombie these days is few and far between. I came to realize that it is an official prequel to the hit South Korean zombie movie “A Train to Busan.” (While it’s not animated, I still highly recommend it!) So, I decided to give this small budget animated film a shot. Here’s my review of “Seoul Station.”
Editor's note: This article contains discussions of gun violence and sexual assault.
You’ve probably already met Swedish pop provocateur Tove Lo (pronounced “too-veh loo”). Her artistic thesis statement, “Habits (Stay High),” is a classic for a generation, and she secured some other hits in the middle of the last decade, as both an artist with “Talking Body” and a songwriter, working on Ellie Goulding’s “Love Me Like You Do.” After this initial commercial success, however, she turned left off the road to pop superstardom, producing darker and more intimate explorations of substance abuse and relationships in her “Lady Wood” album series, which earned Lo this writer’s admiration, though, understandably, less Top 40 airtime. She followed these nocturnal odysseys with 2019’s “Sunshine Kitty,” an album that attempted to soften her narratives’ edges, thereby sacrificing their essential grit. She has since left her major recording label to release music independently, and fortunately, her newest work “Dirt Femme” demonstrates the frankness and songwriting mastery that makes her a unique talent. It also illustrates Lo as an evolving artist, whose increasing ambition doesn’t always bloom here.
“Six seasons and a movie.” For one fandom, this was more than a quote. It was a goal — an aspiration for the show that they loved. This is the story of the show “Community” and how its fans were just so dedicated to harassing NBC employees that the show managed to get saved from cancellation.
To set the mood for Halloween, I read Patti Wigington’s “Witchcraft for Healing: Radical Self-care for your Mind, Body, and Spirit.” I have no experience with witchcraft and didn’t know what to expect. I failed to connect well with the spookier aspects of the book, but its emphasis on self-care resonated with me. Its focus on the transformative power of self-care is applicable to all readers, regardless of the reader’s interest in witchcraft.
The latest record from acclaimed country music singer Tyler Childers is a foray into experimentation rarely seen in the genre today. However, Childers’s 5th studio album “Can I Take My Hounds to Heaven?” is sadly unable to follow through on its lofty ambitions.
“Pippin” revolutionized Broadway at the time of its debut in 1972. With a daring structure and an innovation of metalanguage, the musical won five Tony Awards for telling the tale of Prince Pippin, the heir to the throne of King Charlemagne, which follows a troubled existential journey in search of the meaning of life. Told by a theatrical troupe, the saga is led by a Leading Player and the music of Stephen Schwartz, author of “Godspell” (1971), “Wicked” (2003) and winner of Oscar, Grammy and Golden Globe awards.
Actors From the London Stage (AFTLS) performed Shakespeare’s tragedy of “Macbeth” at Washington Hall on Oct. 5, 6 and 7. During his life, Shakespeare knew the actors he was writing for and collaborated with them on the play’s performances. While actors cannot directly collaborate with Shakespeare anymore, AFTLS still aims to work with him.
Last Wednesday, Saint Mary’s College hosted a showing of the documentary “Utica: The Last Refuge.” The film showcased the many aspects of what it means to come to America, including the struggles and the hardships migrants face. The documentary looks back on the experiences of what it was like to be an immigrant three generations prior to now.