Scene
A breath of fresh air: Indie rock bands Young the Giant and Sure Sure to perform at Stepan Center
By
Ryan Israel
· Thursday, Feb. 21, 2019
Girlpool's ‘What Chaos Is Imaginary’ hosts a wedding in the seams
By
Mike Donovan
· Wednesday, Feb. 20, 2019
LCD Soundsystem finds its ‘American Dream’ at Electric Lady Studios
By
Lucas Masin-Moyer
· Tuesday, Feb. 19, 2019
Is everything still awesome?: a synopsis of ‘The Lego Movie 2’
By
Sam Gutierrez
· Tuesday, Feb. 19, 2019
Representation matters at ‘Revisions: Contemporary Native Art’
By
Hanna Kennedy
· Monday, Feb. 18, 2019
Ray Romano takes unexpected, essential stylistic turn in ‘Right Here, Around the Corner’
By
Michael Mezzacappa
· Friday, Feb. 15, 2019
Ray Romano’s new Netflix stand-up comedy special, “Ray Romano: Right Here, Around the Corner,” further cements a prominent trope within Netflix’s comedy genre — aged comedians past their prime performing for an insufficient amount of time, claiming success by evoking feelings of nostalgia rather than talent.
Where ‘Velvet Buzzsaw’ disappoints, ‘The Price of Everything’ fills in gaps
By
Nora McGreevy
· Thursday, Feb. 14, 2019
Toro y Moi’s ‘Outer Peace’ is full of post-chill-wave grooves
By
Patrick Witteman
· Thursday, Feb. 14, 2019
‘Friends from College’ season 2: the worst show on Netflix gets slightly better
By
Nia Sylva
· Wednesday, Feb. 13, 2019
‘Russian Doll’ is a densely layered and deeply human masterpiece
By
Nicholas Ottone
· Tuesday, Feb. 12, 2019
John Mellencamp visits South Bend for new, but nostalgic, show
By
Nicole Marcinkus
· Monday, Feb. 11, 2019
Break the wheel: Love and shadow in Actors from the London Stage’s ‘King Lear’
By
Alexander Daugherty
· Monday, Feb. 11, 2019
