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On ‘So Much Fun,’ Young Thug delivers accessible trap to the masses

By Patrick Witteman · Monday, Sept. 2, 2019

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Who is Clairo?

By Matthew Kellenberg · Monday, Sept. 2, 2019

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Flashes in the Pan: Basement Boxers

By Mike Donovan · Friday, Aug. 30, 2019

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An autopsy of the Area 51 meme

By Jim Moster · Thursday, Aug. 29, 2019

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Punk rock 101: Intro to underground punk

By Willoughby Thom · Thursday, Aug. 29, 2019

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HBO’s dark teen drama: ‘Euphoria’

By Ryan Israel · Wednesday, Aug. 28, 2019

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DPAC’s Art Attack to provide glimpse into campus art community

By Charlie Kenney · Wednesday, Aug. 28, 2019

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Nothing but love(r) for Taylor Swift’s new album

By Dessi Gomez · Tuesday, Aug. 27, 2019

There are seven Harry Potter books. There are now seven Taylor Swift albums. Coincidence? I think not.

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‘The Last Black Man in San Francisco’ stuns visually and emotionally

By Colleen Fischer · Tuesday, Aug. 27, 2019

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Scene Selections: Welcome Weekend edition

By Mike Donovan · Friday, Aug. 23, 2019

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Commencement 2019: Four Years in Review

By Mike Donovan · Friday, May 17, 2019

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Scene-ior Selections

By Nora McGreevy · Wednesday, May 1, 2019

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Summertime Selections

By Mike Donovan · Tuesday, April 30, 2019

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‘Avengers: Endgame’ a safe, satisfying finale to a legendary era

By Jim Moster · Monday, April 29, 2019

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Ladibree proves herself on ‘Only Everything’

By Ryan Israel · Monday, April 29, 2019

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“Dogrel” fashions Dublin out of gothic Play-Doh

By Mike Donovan · Friday, April 26, 2019

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“Ramy” is a different kind of show

By Carlos De Loera · Friday, April 26, 2019

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Andrew Bird’s latest work is his finest yet

By Matthew Kellenberg · Thursday, April 25, 2019

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‘Derry Girls’ is a ‘cracker’ blend of comedy and pure ’90s nostalgia

By Claire Rafford · Thursday, April 25, 2019

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Scenecast: Frenchcast

By Ryan Israel · Wednesday, April 24, 2019

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Martin Soros named valedictorian of Notre Dame’s class of 2026

My grandfather’s Irish legacy

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Notre Dame hires new band director

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