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Friday, April 3, 2026

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Scene

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‘untitled unmastered.‘ is fine the way it is

By Thom Behrens · Monday, March 14, 2016

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Try everything, especially ‘Zootopia’

By Miko Malabute · Monday, March 14, 2016

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‘Alpine‘: The climb to bring back The Orb

By Miko Malabute · Monday, March 14, 2016

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How innovation got old: a study of 'Traditional Synthesizer Music'

By Erin McAuliffe · Thursday, March 3, 2016

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Chimamanda Ngozi Adichie

By Nora McGreevy · Thursday, March 3, 2016

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Frustration and Growth in Automagik's 'Dark Daze'

By Adam Ramos · Thursday, March 3, 2016

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Toil and Trouble: A conversation with Robert Eggers, Director of 'The Witch'

By Erin McAuliffe · Thursday, March 3, 2016

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Leo's long-awaited Oscar

By John Ahn · Tuesday, March 1, 2016

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Rotten Tomatoes and Hollywood's Reckoning

By Matthew Macke · Tuesday, March 1, 2016

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Kesha, misogyny and the music industry

By Jimmy Kemper · Monday, Feb. 29, 2016

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The hypocrisy of the Academy

By Miko Malabute · Monday, Feb. 29, 2016

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Weekly Watch: 'Dope'

By Erin McAuliffe · Monday, Feb. 29, 2016

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The Personal Apocalypse of 'Life is Strange'

By John Darr · Monday, Feb. 29, 2016

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'Show Some Skin' explores identity

By Kelly McGarry · Monday, Feb. 29, 2016

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'Leo's Red Carpet Rampage'

By Erin McAuliffe · Thursday, Feb. 25, 2016

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'The Big Short': a sub-prime drama

By Kelly McGarry · Thursday, Feb. 25, 2016

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Not much to 'Love'

By Sam Fentress · Thursday, Feb. 25, 2016

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'The Walking Dead' comes back from the grave

By Jimmy Kemper · Thursday, Feb. 25, 2016

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Ultimate Care II: The Hidden Beauty of Sound

By John Darr · Thursday, Feb. 25, 2016

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TIES...FAMILY TIES: A JPW Sartorial Review

By Erin McAuliffe · Thursday, Feb. 25, 2016

Trending

ND acceptance rate remains at record low 9% for class of 2030

Hicks: Notre Dame was outclassed Sunday, but next year is a different story

Offseason is off to a rough start for Notre Dame men's basketball

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Former players gather to remember the life of Lou Holtz

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Lou Holtz’s visitation and funeral commemorates a life of ‘tough love’

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