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SMC seniors flex theater muscles in 'The Seafarer'
By
Marguerite C. J. Marley
· Friday, March 1, 2024
The Grammys, Tennessee legislature and an unwanted spotlight
By
Jayden Espinoza
· Tuesday, Feb. 27, 2024
A ticket to anywhere
By
Claire Lyons
· Friday, Feb. 23, 2024
With the revival of Tracy Chapman’s “Fast Car” and the success of Beyonce’s “Texas Hold ‘Em” and “16 Carriages,” black women are breaking barriers in country music. But why now?
Marvel fatigue: The death of the classic superhero movie
By
Marguerite C. J. Marley
· Thursday, Feb. 22, 2024
Time to saddle up for Beyoncé's ‘act ii’
By
Jayden Espinoza
· Tuesday, Feb. 20, 2024
The Houston born singer is calling for cowboy boots and bolo ties all spring.
‘Is this musical about us?’: Hollywood's musical promotion problem
By
Andy Ottone
· Monday, Feb. 19, 2024
The Dance Theatre of Harlem reimagines classical ballet
By
Natalia Rodriguez
· Monday, Feb. 19, 2024
‘Abbott Elementary’: The best character is the worst principal
By
Jayden Espinoza
· Friday, Feb. 16, 2024
