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Sunday, April 5, 2026
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The Observer

Weekend Events Calendar

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Thursday: "Precious," DPAC @ 6:30 and 9:30 p.m. This Thursday, Friday and Saturday "Precious," the Academy award nominated film, will be showing at DPAC. It centers on Claireece "Precious" Jones (played by newcomer Gabourey Sidibe), a 16-year old black girl growing up in Harlem. Abused by her mother and raped by her father, Precious's life is an endless string of hardship. Her only escape is through elaborate fantasies she creates for herself in times of difficulty. Yet her imagination cannot save her from the reality of her life. Precious must learn to cope with her difficulties and break out of a cycle of abuse and poverty. A compelling heart-breaking story, "Precious" is a must-see.


The Observer

Tommy Hilfiger: A Designer for the Consumer

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Before he revolutionized the classic American look, before he accomplished the seemingly impossible task of competing with Calvin Klein and Ralph Lauren and before he dreamed up his first jean jacket or sewed the first button onto one of his staple shirts, Tommy Hilfiger dreamed of being a football player. The football dream died when he never hit a growth spurt, but Hilfiger has since succeeded at being a businessman — one who has founded a global lifestyle brand, been named the best Men's Designer by GQ and the Parsons School of Design among others and whose name has become synonymous with authentic American fashion. Hilfiger grew up the second of nine children in Elmira, N.Y., and realized early on that he wanted to be a businessman. Only, he didn't know what a businessman was. What he did know was that he had a particular passion, and a vision that he brought to his first endeavor in the fashion industry, his own chain of stores called People's Place. Using his knowledge of New York and London fashion and capitalizing off of the fact that his customers sought but didn't have access to new trends, he designed his own line of clothing best described as "preppy American classic, with a twist." His success upstate brought him to the big show in New York, where he further learned the trade and strove endlessly to launch a line. It was the fresh eye Hilfiger brought to time-honored classics as well as his entrepreneurial spirit that caught the eye of Mohan Murjani, the man who would come to launch Hilfiger's first line of men's clothing. And it has since been that fresh eye and undying devotion to always keeping things new and breaking through with new styles and looks that has enabled Hilfiger to bring classic American sportswear to consumers around the world. What Hilfiger went on to create was a distinct brand with worldly appeal, that was competitively priced and, perhaps most importantly, made up of products that people wanted. Hilfiger was never one to design for himself, but instead a designer dedicated to the consumer, always keeping in mind what was both wearable and desirable. Admittedly, he let things slip in the late 90s as the company saw its sales cut in half due to oversupply. At that point he, with his team, went back to the drawing board and exercised the kind of business savvy that Murjani had first admired in him, revamping the U.S. branch of the company and modeling it on the company's successful European business model. The company experienced steady growth after that reclamation project and it was that growth that propelled fashion powerhouse Phillips-Van Heusen to recently acquire the Hilfiger brand. Despite the acquisition, Hilfiger remains the life-blood of the company, as his vision and industry know-how remain the keys to the company's success.  


The Observer

The Last Song' Should be Miley's Last Movie

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It is always difficult to see a good book poorly adapted into a film. Director Julie Ann Robinson made a valiant effort with Nicholas Sparks' "The Last Song," but the cast, led by Miley Cyrus, was not able to successfully pull off this adaptation. Disney's queen bee tried to step out of her comfort zone by playing a serious character, but Cyrus simply doesn't cut it.  

The Observer

Mike Posner: From Duke to Opening for The Roots

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It's the spring concert everyone's been waiting for. With talk of every band from MGMT to Girl Talk coming to perform at Notre Dame, it's finally been confirmed that The Roots will be the big band on campus this weekend.


The Observer

Congratulations to MGMT for a Solid Sophomoric Effort

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In less than a week's time — April 13 to be precise — MGMT's follow-up to their 2007 hit album "Oracular Spectacular"— suitably named "Congratulations" — will officially be released and available to download legally. That's not to say that it's not available now — a well-publicized leak of the album in mid-March prompted the band to release the album in a stream-only format on March 20. Although members of the group have described the album as a "no-singles album," one song, "Flash Delirium," has been released, although it has been described as more a taster for the album than an actual single. Basically, if you like "Flash Delirium," you'll like "Congratulations," and vice versa.  Either way, it's easy to see that "Congratulations" has little stylistically in common with "Oracular Spectacular." Many tracks in "Oracular Spectacular" drove its success and its eventual dominance of many college campuses/stoner circles: "Kids," "Weekend Warriors," "Time to Pretend," "Electric Feel." "Congratulations" has none of these; it is a straight-up album's album, meaning that the band meant it to be taken in as a whole rather than as individual tracks.  In listening to the album in its entirety, the first word that comes to mind is duality. "Congratulations" tracks have two different, distinct flavors: First, about half the songs have a bouncy, upbeat, almost surfer/beach vibe to them — albeit, one distorted with digital production work and what sounds like a harpsichord — and the rest sound inspired by dreams of floating through psychedelic clouds in a world without time or purpose. While the two different sounds at times cause jarring moments in the changes between tracks, for the most part the format works, and MGMT somehow manages to take two songs that sound very little alike and tie them together in a way that makes some sense in the context of the album. Viewed in the "no-singles album" light, MGMT succeeds and has come out with a good — but not great — sophomore effort. The only problem with this is that the vast majority of MGMT fans became fans by listening to their pop-infused songs from "Oracular Spectacular," and these fans will be disappointed with this album. Again, to stress the point, there are no singles on this album. "Flash Delirium" is not a real single, nor does it sounds like it. It has more in common with the progressive rock of the 70s or the OC soundtrack — beach music —than MGMT's previous work. This is a problem, because while there are people out there who will be fans of the eclectic mix of musical genres and feels, there are many more who will not be, and it is largely fans from the latter group that fueled MGMT's success. "Congratulations" is a good album to just put on and zonk out to for about 45 minutes. While it does have some flaws, it still is a good album and worth a listen; however, if the listener goes into the album expecting a spiritual successor to "Oracular Spectacular," he will be sorely disappointed.  MGMT went out on a limb for their sophomore effort, and while many fans of their more pop tunes will probably not enjoy this, those who can listen to it with an open mind will find a worthwhile experience.


The Observer

Rocking with The Roots

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When I first heard that hip hop had won the student poll for the Student Union Board (SUB) concert, I was concerned. Coming from a hip hop fanatic, this may come as a surprise. I love the music; my fears rested with the audience. Since I've been at Notre Dame, at least two excellent but under-appreciated MCs, Brother Ali and Devin the Dude, have played shows at Legends to a less than enthusiastic crowd. To see two of my favorite rappers practically beg the audience for some reaction was embarrassing. Even Lupe Fiasco, a relatively well-known name, was given a cold reception.  


The Observer

Billy Elliot' glides gracefully into stage musical adaptation

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When it was released in 2000, the British film "Billy Elliot" was a box office success and earned three Oscar nominations. A few years later, it was adapted into a Broadway play that would become just as, if not more, successful than the movie. The show has graced stages in London, New York and now Chicago.


The Observer

Movie Rewind: Disney's return to glory in 'The Little Mermaid'

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Disney's "The Little Mermaid" is an awesome movie. It is often forgotten, shadowed by greats such as "Beauty and the Beast," "The Lion King" and "Finding Nemo." However, it stands as a classic piece of animation with its all-too catchy soundtrack, exotic locales, hilariously memorable characters and backdrop of star-crossed love. Now that you've finished singing "Under the Sea" in your head, here are a few more reasons why you know you love "The Little Mermaid."



The Observer

Boy Meets World's Cast: Where Are They Now?

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In 1993, a boy met the world and embedded himself so deeply into American teen and pre-teen culture that to this day, 10 years after his television series came to a close, college kids across America still find themselves quoting and re-watching episodes from "Boy Meets World." Because The Observer is so attuned to what the typical college kid yearns for, the Scene writers have decided to address your needs and tell you exactly what is going on in the lives of Cory, Topanga, Shawn, Eric and the rest of the crew with a "Where are they Now: Boy Meets World" special edition. Here's to hoping the gang made it big and made Feeny proud!


The Observer

Professional Wrestling: Fake Sport, Real Entertainment

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Author's Note: This story was originally a recap of Wrestlemania XXVI, which took place on Sunday night. After writing my first draft, I realized the potential audience of that story was only slightly bigger than the group of four guys with whom I regularly watch World Wrestling Entertainment (WWE). Instead, the piece transformed into a defense of professional wrestling illustrated by Sunday night's event.


The Observer

Comedy and Action Meet With Some Success in "Cop Out"

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Featuring two actors you would never imagine working together in a combination of what each one does best, comedy and action, "Cop Out" is definitely not bound to feed your intellectual appetite. But it might be fun just to sit back and enjoy the jokes or watch Bruce Willis' hilariously bad attempt at comedy.  


The Observer

Vampire Weekend captivates Chicago crowd

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Indie rock band Vampire Weekend played two sold-out shows at the Riviera Theater in Chicago this weekend. Touring for their new album "Contra," which premiered at number one on the Billboard 200 chart in January, the group from New York City riled up the young crowd for over two hours.



The Observer

Paris Je T'aime' comes to LaFortune

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South Bend Je T'aime! Okay admittedly this wouldn't make such a great movie, but "Paris Je T'aime" certainly is a celebration of one of the world's most fascinating cities. The film is a series of vignettes that take place in Paris and show the various characters that live within the City of Light.


The Observer

Fashion for all time at BCAC's signature event

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From the roaring 20s to the modern day, the Black Cultural Arts Council (BCAC) took its audience on a ride through time Saturday night to show off the latest popular fashions and current hip-hop trends with their signature event, the BCAC Fashion Show.


The Observer

Hot Tub Time Machine: Funny but Flawed

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With a title that seems to give away the punch line of the movie, "Hot Tub Time Machine" surprisingly turned out to be one of the funniest movies of the year. Unlike "Snakes on a Plane," this movie delivered much more than time travel and a Jacuzzi. Rob Corddry ("The Daily Show") provides a very "Allen from the Hangover"-like performance, making the movie what it was, and John Cusack ("Serendipity") and Craig Robinson ("The Office") also star in this tastefully crude comedy. From the opening scene, the movie entertains and makes the audience laugh. We see Nick (Robinson) working at a dog-grooming salon, walking a dog on a mini treadmill. After disemboweling a customer's canine, Adam (Cusack) and Lou (Corddry) are introduced. Both are unhappy, middle-aged adults, and Adam is recently divorced and taking care of his sister's teenage son, Jacob (Clark Duke). When Lou attempts to commit suicide, Adam and Nick decide to take him to Kodiak Valley, the resort where they spent their teenage years partying. They arrive only to find the entire city run down, the hotel filled with cats and the bellhop left with one arm. Trying to have a good time despite all of that, they go into a hot tub. Needless to say, the hot tub ends up being a time machine and takes the four of them back to "Winterfest 1986." After realizing they have traveled in time, Jacob informs the group they need to try to do everything exactly as they had before to prevent the butterfly effect. While trying to relive their time at Winterfest, Nick, Adam and Lou each try to change their past for the better, ignoring their pact. Lou discovers he can bet on things he know will happen, such as the Denver Broncos beating the Cleveland Browns with "The Drive." In true 1980s fashion, conflict emerges between the ski patrol and the four main characters. The ski patrol suspects the four of being Russian spies because of their gadgets from the future and because they recently watched "Red Dawn." Like the Russian spies they were not, they go back to the future after the mysterious repairman fixes the hot tub. (SPOILER ALERT!) Not wanting to return to his adult life, Lou stays in the past and makes billions by creating "Lougle" (instead of Google) and founding the band "Motley Lou." Despite being a quality comedy, "Hot Tub Time Machine" was by no means perfect.  The time travel aspects were without a doubt outlandish, and the repairman (Chevy Chase) wasn't very well developed. A bit more in the beginning of the movie explaining the characters would have been nice, and (SPOILER ALERT!) it seemed odd that the "Cincinnati Box" from the trailers (and in the movie) was never explained. But still, for a comedy, "Hot Tub Time Machine" delivered more than could have been asked for. This movie is a better use of $7.50 than three pounds of chocolate toffee covered pretzels from The Huddle and will make you laugh more than clever answers to The Observer's question of the day. The only thing that could have really made "Hot Tub Time Machine" better would have been a hot tub in the theater to sit in while watching the movie.


The Observer

Music Under the Radar that Should Be on Your Mainstream: Electropop

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Have you ever been in a conversation with someone who's name-dropped a band and you've nodded emphatically, agreeing that said band is so good/cool/innovative, only to completely forget its name the minute you walk away?Fear no more, because here is a list of some of the most noteworthy music out there today, at least in the category of slightly-more-important. Did I unforgivably ignore your favorite? E-mail me and maybe I'll include it in the next list.This week we focus on electro-pop, synthpop or basically anything with serious instrumentation from the computer. Modern technology has not only allowed T-Pain to auto tune everyone with an iPhone, but it has also opened the door to a creative deluge of innovative instrumentation, often with one person composing the entire piece. These kids don't just clean up music on the computer — they write the whole song. Instead of demeaning technology as a cheap means to make mediocre singers sound better, they have embraced it as a new form of musical expression. ("The computer IS my instrument!") Blue FoundationThese guys gained a fair following after "Eyes On Fire" backed Bella's entry to high school in last year's movie "Twilight." They provide a nice balance between overt electronica and a cosmopolitan mystique.Tracks to tap: "End of the Day (Silence)," "Distant Dreams (Voices)" Fever Ray A one-woman band from Sweden, she's the sister in the duo that is The Knife. Her solo work is slightly ambient with an emphasis on "other-worldliness." This tends to mean that she bounces between Native American sounding melodies and Chinese chord progressions. The music video for "When I Grow Up" is strikingly beautiful and pretty much sums her up.Tracks to tap: "When I Grow Up," "Triangle Walks" Imogen Heap The genius behind "Hide and Seek" released a sophomore album last fall, solidifying her position as Queen of the One Man Pop Band. Her most interesting tactic is that she will take a microphone around and record anything she can find and then loop it so that it sounds percussive or melodic (including things like a dripping facet or a clock ticking). She mixes all her own songs and creates unique soundscapes for each. It doesn't hurt that she is probably the most lyrically involved artist on this list.Tracks to tap: "Earth," "Tidal," "Goodnight and Go" La Roux This Eurhythmics incarnate synthpop group blew up in the UK last fall and have recently begun trickling into the States. Their single "Bulletproof" is overwhelmingly 80s and yet begs to be danced to about as much as the Gaga fare.Tracks to tap: "Bulletproof," "In For The Kill" Owl City Yes, yes, everyone's heard of them, but not everyone has listened to them (or realized the omnipresent "Fireflies" is by them). Actually, the "them" is a "he," and he's from Minnesota. This one-man basement band is a true electronica success story. Adam Young was waxing electric while living in his parent's house when he decided to tell the boss at his warehouse job that he was quitting to pursue a career as a pop star. And then he did.Tracks to tap: "Fireflies," "Vanilla Twilight," "Meteor Shower" Shiny Toy GunsThis is of the most novel bands out there, and not because the lead vocals consist of a male and female belting it out above a sea of emo ready pulsing guitar riffs. They deliver everything from quasi-Goth (these guys have contributed to two Electro Goth tribute albums) to straight-up dance beats (their "Le Disko" landed on Billboard's Modern Rock chart).Tracks to tap: "Le Disko," "Don't Cry Out," "Ghost Town"


The Observer

Latin Expressions: A Fantastic Night of Fantasy

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The 20th annual Latin Expressions event celebrates Latino culture and heritage at Notre Dame, and this year's event was themed "Noche de Fantasia" — or "night of fantasy." With dark and mysterious posters and beautiful masks covering the faces of those greeting us at the entrance, the one-night-only performance at South Bend's Palais Royale was packed as usual. The venue fit well with the theme, and the huge, beautiful chandelier that hung from the ceiling, surrounded by gilded frames and designs, helped to set the air for the show. Composed mostly of typical Latin dances and music, this year's Latin Expressions seemed to focus less on traditions from different Latin countries and more on creating a dance show. Beginning with an outstanding, goose bumps worthy Opera performance by senior Josh Diaz, the show went on with several different dance performances choreographed and completely organized by the very students doing the dance (who had to rehearse and audition to make it to the show) and some musical acts, sung and played also by the students. For the dance performances, the groups normally danced to a mix of salsa with contemporary Latin music (namely reggaeton), or if it were only one couple on stage, they would generally perform to a more traditional song. All acts were exciting and well performed, packed with tons of quick and sexy flips and twirls and outfits that continued the fantastical theme of the night. Another interesting and characterizing aspect of the performances was that they normally had some sort of a plot, which added to the fun of the show. For example, the formula of girl sees boy with other girl, girl gets mad and boy tries to win her back was used in one of the fun, sexy and exciting Latin Expressions dance acts. The first act, although organized quite differently from last year's show, was fun and very true to its purpose — to represent and honor the Latin community at Notre Dame and in South Bend. With a variety of performances, from a Folkloric dance to Opera, the act to follow lessened the impact of this unique event. Of the eight groups to present, only three portrayed some aspect of the Latin culture. Project Fresh and the First Class Steppers constituted a significant portion of the second half, and although these groups are always jaw dropping and fun to watch, their performances weren't pertinent enough to the purpose of the show for the time it was given. Other performances, such as one musical performance that did not pertain to Latin culture and a magic show may have been highly entertaining and amusing – but were not very relevant. The focus on the Latin culture seen in the first act was lost after the intermission. There were many aspects of the event that differed from last year's Latin Expressions and made a significant difference in this year's performance. One such aspect was the division of the acts by specific cultures and countries. Although some were evidently specific to a particular culture (for example, "Al son de Mexico" [to the sound of Mexico] by MariachiND), most of the acts were not, or at least were not made specific in the program. An interesting part of the show, as for most cultural events here at Notre Dame, was learning the differences between each different country by watching people either sing or dance to a typical song or dance of that place. For example, in Asian Allure, each performance was introduced by its name and country of origin. Although this may not be as easy to differentiate in Latin America as in Asia, some slight distinction or an effort to highlight traditional cultural songs or dances from a specific region would have made for a more comprehensive show. Nonetheless, the show was evidently rehearsed many times because it all flowed smoothly. The dances were very well executed and the singers were wonderful. On top of this, the two people who walked on stage in between most acts were packed with clever jokes, which got plenty of laughs from the crowd. So if you didn't make it this year, don't forget to make it next time. It's definitely not a show to be missed.