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Friday, Dec. 5, 2025

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Scene

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‘Oppenheimer’: American Atlas

By Ayden Kowalski · Tuesday, July 25, 2023

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A preview of Pitchfork Fest 2023

By Claire Lyons · Sunday, July 16, 2023

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Hangout at one of the best music festivals of the summer

By Audrey Wild · Friday, May 26, 2023

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Commencement 2023: The last four years in review

By Anna Falk · Friday, May 19, 2023

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Scene-ior Selections 2023

By Observer Scene Staff · Monday, May 1, 2023

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‘Beef’: Netflix says ‘know thy enemy’

By Claire Lyons · Friday, April 28, 2023

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‘The Legend Of Zelda: Tears of the Kingdom’: Living up to expectations

By Gabriel Zarazua · Friday, April 28, 2023

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‘Wicked’: The popular musical and its upcoming adaptation

By Andy Ottone · Thursday, April 27, 2023

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A return to a galaxy far, far away: A ‘Star Wars’ retrospective

By Nicole Bilyak · Thursday, April 27, 2023

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The power of animation: A Shrektrospective

By Anna Falk · Wednesday, April 26, 2023

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‘Jury Duty’: A trial by fire feat of comedy

By Claire Lyons · Wednesday, April 26, 2023

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The Notre Dame dorm personality test

By Angela Mathew · Tuesday, April 25, 2023

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‘Mighty Morphin Power Rangers: Once & Always’: Cheesy and heartwarming as ever

By Gabriel Zarazua · Tuesday, April 25, 2023

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‘The Phantom of the Opera’: A Broadway legend

By Andy Ottone · Monday, April 24, 2023

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In memoriam: The Script’s Mark Sheehan

By Nicole Bilyak · Friday, April 21, 2023

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'Ted Lasso' Season 3: A beautiful set-up, but can the show finish?

By Andrew McGuinness · Friday, April 21, 2023

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The Chicago Shakespeare Theater delivers a flawless performance of ‘The Comedy of Errors’

By Cecelia Swartz · Thursday, April 20, 2023

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10 things you should never do at a concert

By Anna Falk · Thursday, April 20, 2023

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NSR's captivating ‘Much Ado About Nothing’ will eat your heart in the marketplace

By Anna Falk · Wednesday, April 19, 2023

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Transpose Dance Collective’s ‘Dancing Under the Stars’ showcase dazzles

By Rose Androwich · Wednesday, April 19, 2023

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The sacred tradition of Notre Dame vs. Navy

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