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Wednesday, Dec. 10, 2025

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‘Annette’: A love story characterized by death

By Lexi Kilcoin · Monday, Oct. 11, 2021

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'Birds of Paradise': Unique or used?

By Anna Falk · Friday, Oct. 8, 2021

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‘The Life Ahead’ shows at DPAC

By Kate Casper · Friday, Oct. 8, 2021

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‘The Guilty’: Jake Gyllenhaal’s next shot at the Oscars

By JP Spoonmore · Thursday, Oct. 7, 2021

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‘Diana: The Musical’ is a royal mess

By Abigail Keaney · Thursday, Oct. 7, 2021

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‘Saturday Night Live’ is back and better than ever

By Rose Androwich · Wednesday, Oct. 6, 2021

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‘Britney vs. Spears’: A disappointing account of the star’s conservatorship

By Maggie Clark · Wednesday, Oct. 6, 2021

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Does ‘Visions’ deserve the ‘Star Wars’ name?

By Nicole Bilyak · Tuesday, Oct. 5, 2021

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Halloween Essentials, Vol. 1: Slashers

By Justin George · Tuesday, Oct. 5, 2021

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Newly discovered Arthurian manuscripts may change historical interpretation

By Marcelle Couto · Monday, Oct. 4, 2021

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‘Squid Game’: How far would you go?

By Rachel Hartmann · Monday, Oct. 4, 2021

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Marcia Lucas: The woman behind the 'Star Wars' magic

By JP Spoonmore · Friday, Oct. 1, 2021

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The glorious birth of ‘Montero’

By Anna Falk · Friday, Oct. 1, 2021

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Rest in peace Star Ginger (2018-2021)

By Veronica Navarro · Thursday, Sept. 30, 2021

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From Lana to Lorde: Why the internet hates the ‘sad girl gone glad’

By Evan McKenna · Thursday, Sept. 30, 2021

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Harry Styles’ ‘Love On Tour’: A place to feel good

By Alysa Guffey · Wednesday, Sept. 29, 2021

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My evening with Matthew Morrison

By Maggie Klaers · Wednesday, Sept. 29, 2021

Matthew Morrison: Act 1, Scene 1

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South Bend Symphony Orchestra is back in season

By Marcelle Couto · Tuesday, Sept. 28, 2021

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‘The Eyes of Tammy Faye’ is nothing to sing praises about

By Anna Falk · Tuesday, Sept. 28, 2021

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‘The Witches of the Orient’ inspires at DPAC

By Rachel Hartmann · Monday, Sept. 27, 2021

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