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Wednesday, May 13, 2026

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‘Home Sweet Home Alone’: Devoid of sugar, spice or anything nice

By Justin George · Thursday, Nov. 18, 2021

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The beauty of ‘An Evening with Silk Sonic’

By Anna Falk · Wednesday, Nov. 17, 2021

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‘All Too Well: The Short Film’: ‘I might be OK, but I’m not fine at all’

By Maggie Clark · Wednesday, Nov. 17, 2021

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The joys of emo skate night

By Caitlin Brannigan · Tuesday, Nov. 16, 2021

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St. Joe’s new library is a modern-day utopia

By Gracie Eppler · Tuesday, Nov. 16, 2021

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English department holds creative writing festival

By Rose Androwich · Monday, Nov. 15, 2021

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Taylor Swift reclaims her magnum opus with ‘Red (Taylor’s Version)’

By John Clark · Monday, Nov. 15, 2021

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The forgotten Black cowboys of ‘The Harder They Fall’

By Kylie Henry · Friday, Nov. 12, 2021

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‘THIS IS MODERN ART’: A love letter to graffiti

By Claire Lyons · Friday, Nov. 12, 2021

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Are we reading enough?

By Marcelle Couto · Thursday, Nov. 11, 2021

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‘Last Night in Soho’ and following days in confusion

By Anna Falk · Thursday, Nov. 11, 2021

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ABBA’s new album ‘Voyage’: A journey in growing up

By Rachel Hartmann · Wednesday, Nov. 10, 2021

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‘Eternals’: Cluttered amusement

By JP Spoonmore · Wednesday, Nov. 10, 2021

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Sheerios rise: Ed Sheeran returns with ‘=’

By Abigail Keaney · Tuesday, Nov. 9, 2021

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Italian satire returns with ‘Divorce Italian Style’

By Sophia Michetti · Tuesday, Nov. 9, 2021

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‘Revolutionary Girl Utena’ remains a masterpiece of animated storytelling

By John Clark · Monday, Nov. 8, 2021

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HONNE's new album: Leaving the singles bopping and crying

By Kate Casper · Monday, Nov. 8, 2021

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'Halloween Kills' all hope in the franchise

By Justin George · Friday, Nov. 5, 2021

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Not-So-Royal Shakespeare Company masters 'Macbeth'

By Rose Androwich · Friday, Nov. 5, 2021

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'The Last Duel': An experienced cast

By Joyce Fu · Thursday, Nov. 4, 2021

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