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Thursday, March 26, 2026

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‘Barb and Star Go to Vista Del Mar’: The problem of having boring leads

By Rose Androwich · Monday, Sept. 6, 2021

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Houseless, not homeless: ‘Nomadland’

By Angela Mathew · Monday, Sept. 6, 2021

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‘He’s All That’: It’s not all that

By Rachel Hartmann · Friday, Sept. 3, 2021

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‘Donda’: Just ‘Ok Ok’

By Meg Sluzas · Friday, Sept. 3, 2021

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A Gateway’s experience watching 'Rudy' at Notre Dame

By Kate Casper · Thursday, Sept. 2, 2021

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Revisiting 'Twilight' 13 years later

By Justin George · Thursday, Sept. 2, 2021

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‘Butter’: BTS’s legacy may be ruining music charts

By Alejandro Mujica · Wednesday, Sept. 1, 2021

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Discover the wonders of ‘VikingTok’

By Nicole Bilyak · Wednesday, Sept. 1, 2021

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‘Candyman’: Resurrection, evolution and gentrification

By JP Spoonmore · Tuesday, Aug. 31, 2021

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Music that you can dance to, introducing Sparks

By Willoughby Thom · Tuesday, Aug. 31, 2021

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‘Loki’ brings the fun, falls short on romance

By John Clark · Monday, Aug. 30, 2021

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‘Black Widow’ was worth the wait

By Sophia Michetti · Monday, Aug. 30, 2021

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‘Solar Power’: An album by Lorde, for Lorde

By Nelisha Silva · Friday, Aug. 27, 2021

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The anatomy of a breakup: Olivia Rodrigo’s ‘Sour’

By Alejandro Mujica · Thursday, Aug. 26, 2021

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Billie Eilish’s ‘Happier Than Ever’: She’s getting older

By Lexi Kilcoin · Thursday, Aug. 26, 2021

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'Fear Street': A sprawling, bloody revival of the slasher flick

By Justin George · Wednesday, Aug. 25, 2021

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Japanese Breakfast’s ‘Jubilee’ is happy music for sad people

By Aidan O'Malley · Tuesday, Aug. 24, 2021

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The Notre Dame dictionary

By Aidan O'Malley · Friday, Aug. 20, 2021

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Commencement 2021: Four years in a review

By Aidan O'Malley · Friday, May 21, 2021

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Please stop hounding on Weezer, thank you.

By Willoughby Thom · Tuesday, May 11, 2021

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