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Thursday, June 11, 2026

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Scene

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Maude Latour captures life and love for the college generation and beyond

By Claire Rafford · Wednesday, Feb. 17, 2021

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Ten years after ‘Friday,’ Rebecca Black emerges an icon

By Jim Moster · Tuesday, Feb. 16, 2021

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‘Judas and the Black Messiah’ meets the moment

By Aidan O'Malley · Tuesday, Feb. 16, 2021

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Magic in the Hampton (Inn)

By Nia Sylva · Monday, Feb. 15, 2021

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‘To All the Boys I’ve Loved Before: Always and Forever’ — romantic and realistic

By Dessi Gomez · Monday, Feb. 15, 2021

Genre: Romantic comedy

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Playboi Carti delivers on innovative, punk-inspired ‘Whole Lotta Red’

By Patrick Witteman · Friday, Feb. 12, 2021

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In memoriam: Christopher Plummer

By Nicole Bilyak · Friday, Feb. 12, 2021

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What I learned about music from guys on dating apps

By Colleen Fischer · Thursday, Feb. 11, 2021

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Foo Fighters tread water with ‘Medicine at Midnight’

By Willoughby Thom · Thursday, Feb. 11, 2021

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Screaming and shouting at ‘Malcolm & Marie’

By Aidan O'Malley · Wednesday, Feb. 10, 2021

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‘Bridgerton’: the diamond of the season

By Sophia Michetti · Wednesday, Feb. 10, 2021

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Symbolic citrus

By Nick Brigati · Tuesday, Feb. 9, 2021

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That was so 2020: Scene’s list of cool for the new year

By Ryan Israel · Monday, Feb. 8, 2021

OUT with 2020

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Editor’s notes: HBO’s ‘Industry’ is hot

By Ryan Israel · Friday, Feb. 5, 2021

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Taylor Swift’s ‘evermore’ brings ‘closure’ to 2020

By Dessi Gomez · Wednesday, Dec. 30, 2020

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Taylor Swift and Notre Dame: The undoubtable truth of ‘champagne problems’

By Ryan Israel · Friday, Dec. 18, 2020

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Scene’s Best Albums of 2020

By Claire Rafford · Monday, Dec. 14, 2020

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Scene on the Screen 2020

By Jake Winningham · Friday, Dec. 11, 2020

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ICWMI: In case we missed it

By Ryan Israel · Thursday, Dec. 10, 2020

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Thank you for sharing your Spotify Wrapped

By Colleen Fischer · Friday, Dec. 4, 2020

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Martin Soros named valedictorian of Notre Dame’s class of 2026

My grandfather’s Irish legacy

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Notre Dame hires new band director

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