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Scene

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‘Hot Streets’ is a bizarre, mediocre outing from Adult Swim

By Owen Lane · Friday, Feb. 2, 2018

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‘High Maintenance’ returns with stellar start to season two

By Ryan Israel · Thursday, Feb. 1, 2018

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Migos ‘beg and plead’ on ‘Culture II’ to little avail

By Danny Liggio · Thursday, Feb. 1, 2018

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Scene Selections - Best Mashups

By Brian Boylen · Wednesday, Jan. 31, 2018

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Shades of Blue

By Mike Donovan · Wednesday, Jan. 31, 2018

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ND Film Festival Curates Student Talent

By Adam Ramos · Tuesday, Jan. 30, 2018

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'Darkest Hour' Review

By Charlie Kenney · Tuesday, Jan. 30, 2018

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The formula of a Hot 100 hit

By Matthew Munhall · Monday, Jan. 29, 2018

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'The Post' is a newsroom drama with something more

By Nora McGreevy · Friday, Jan. 26, 2018

Diane Park

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First Aid Kit’s ‘Ruins’ experiments with new sound but maintains folk roots

By Maggie Walsh · Friday, Jan. 26, 2018

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Scene’s Selections

By Adam Ramos · Thursday, Jan. 25, 2018

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Bond with dad over Ty Segall’s ‘Freedom’s Goblin’

By Mike Donovan · Wednesday, Jan. 24, 2018

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‘Phantom Thread’ review

By Charlie Kenney · Wednesday, Jan. 24, 2018

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BØRNS plays to his strengths on ‘Blue Madonna’

By Grace Weissend · Tuesday, Jan. 23, 2018

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‘Molly’s Game’ is about strategy

By Ellen O'Brien · Tuesday, Jan. 23, 2018

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Camila Cabello seeks solo success with uneven debut

By Matthew Munhall · Monday, Jan. 22, 2018

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‘Three Billboards Outside Ebbing, Missouri’ tells a unique story with troubling aspects

By Ryan Israel · Monday, Jan. 22, 2018

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Robbie skates through a troubled life in 'I, Tonya'

By Grace Weissend · Friday, Jan. 19, 2018

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Jeff Rosenstock brings anxious but hopeful punk on 'POST-'

By Megan Valley · Friday, Jan. 19, 2018

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The Wombats Preview

By Molly Chen · Thursday, Jan. 18, 2018

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