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Monday, April 13, 2026

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Scene

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Mount Kimbie’s new record is perfectly fine, at best

By Adrian Mark Lore · Thursday, Sept. 21, 2017

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Sheer Mag’s exhilarating live show is the punk scene at its finest

By John Wilson · Wednesday, Sept. 20, 2017

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Tim and Eric continue their bizarre but triumphant run with 'Bedtime Stories' season two

By Adam Ramos · Wednesday, Sept. 20, 2017

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'First Man' — Preview

By Charlie Kenney · Tuesday, Sept. 19, 2017

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Relax with REZZ

By Helen Sung · Tuesday, Sept. 19, 2017

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Scene's Selections

By Adam Ramos · Monday, Sept. 18, 2017

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‘Antisocialites’ by Alvvays is a hermetic serenade

By Mike Donovan · Friday, Sept. 15, 2017

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Zola Jesus offers beautiful sorrow on new record ‘Okovi’

By Augie Collins · Thursday, Sept. 14, 2017

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‘It’ Review

By Patrick McKelvey · Thursday, Sept. 14, 2017

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Scene in South Bend: Pure Barre

By Cece Biagini · Thursday, Sept. 14, 2017

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Scene’s Selections

By Brian Boylen · Wednesday, Sept. 13, 2017

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Queens of the Stone Age’s 'Villains' wears a leather jacket and dancing shoes

By Carlos De Loera · Tuesday, Sept. 12, 2017

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Giant Claw reinvents the wheel on ‘Soft Channel’

By Adrian Mark Lore · Tuesday, Sept. 12, 2017

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'Rick and Morty' season 3 is out of this world

By Ryan Israel · Monday, Sept. 11, 2017

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Comedy, tragedy and triumph in 'Bojack Horseman' season 4

By Nicholas Ottone · Monday, Sept. 11, 2017

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Artificial Intelligence Is Your Next DJ

By Helen Sung · Friday, Sept. 8, 2017

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War on Drugs exceeds expectations on ‘A Deeper Understanding’

By Owen Lane · Friday, Sept. 8, 2017

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Scene’s Selections: Album Art

By Adrian Mark Lore · Friday, Sept. 8, 2017

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‘Good Time’ Review

By Charlie Kenney · Thursday, Sept. 7, 2017

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Diamondstein and Sangam team up for striking dark ambient duet

By Adrian Mark Lore · Thursday, Sept. 7, 2017

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ND acceptance rate remains at record low 9% for class of 2030

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