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Wednesday, June 17, 2026

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‘The Dropout’: an absorbing character analysis of Elizabeth Holmes

By Maggie Clark · Monday, March 28, 2022

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Enjoy some southern hospitality with PEMCo’s ‘Bright Star’

By Claire Lyons · Friday, March 25, 2022

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Harmless’ ‘Mr. Baby’ EP: For the hopeful romantics

By Kate Casper · Friday, March 25, 2022

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Car Seat Headrest takes on Chicago

By Claire Lyons · Thursday, March 24, 2022

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A totally not controversial or biased review of Elden Ring

By Matheus Herndl · Thursday, March 24, 2022

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Let me talk about 'Miraculous Ladybug'

By Natalie Allton · Wednesday, March 23, 2022

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Dolby Atmos: #SwiftTok and sonic immersion

By Adriana Perez · Wednesday, March 23, 2022

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‘jeen-yuhs’ is more than an origin story

By Nia Sylva · Tuesday, March 22, 2022

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‘From 2 to 3’: The ordinary turned extraordinary

By Anna Falk · Tuesday, March 22, 2022

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‘The Marvelous Mrs. Maisel’ is back with a vengeance

By Isa Sheikh · Monday, March 21, 2022

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‘Horizon Forbidden West’ is (almost) a perfect sequel

By Matheus Herndl · Monday, March 21, 2022

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'Measure for Measure' more than measures up to expectations

By Cecelia Swartz · Friday, March 18, 2022

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'Turning Red': Get your paws on it now

By Rachel Hartmann · Friday, March 18, 2022

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‘Who Cares?’: I do, Rex Orange County, I do

By Abigail Keaney · Thursday, March 17, 2022

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Aminé’s ‘Best Tour Ever’ lives up to its name

By Reyna Lim · Thursday, March 17, 2022

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‘Euphoria’ season 2: ‘Trashy’ in the most beautiful way

By JP Spoonmore · Wednesday, March 16, 2022

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The Quiet Beauty of ‘Drive My Car’

By Justin George · Wednesday, March 16, 2022

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‘The Batman’ adds flair to iconic franchise

By Colin Capece · Tuesday, March 15, 2022

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‘Cleanse’ your palette: Here's why you need to know about Joywave

By Anna Falk · Tuesday, March 15, 2022

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Walking on clouds at Cloud Walking Coffee

By Lexi Kilcoin · Thursday, March 3, 2022

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