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ABBA announces new album 40 years after their last release

By Marcelle Couto · Friday, Sept. 17, 2021

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‘Scenes from a Marriage’: Emmy bait or art?

By Claire Lyons · Friday, Sept. 17, 2021

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Selena Gomez is the lifeblood of ‘Only Murders in the Building’

By Olivia Seymour · Thursday, Sept. 16, 2021

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‘Cinderella’ 2021: Bippity-boppity-absolutely not

By Rachel Hartmann · Thursday, Sept. 16, 2021

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‘Malignant’: James Wan’s next cult classic?

By JP Spoonmore · Wednesday, Sept. 15, 2021

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Phoebe Bridgers: Don’t be a stranger to her music

By Anna Falk · Wednesday, Sept. 15, 2021

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Surprisingly, Ben Platt’s make-up isn’t the worst thing about ‘Dear Evan Hansen’

By Christine Hilario · Tuesday, Sept. 14, 2021

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‘Created Equal: Clarence Thomas In His Own Words’ visits DPAC

By Ryan Georgi · Tuesday, Sept. 14, 2021

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‘Demon Slayer: Mugen Train’ kills its action sequences, falls short everywhere else

By John Clark · Monday, Sept. 13, 2021

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A standing ovation for the return of Broadway

By Olivia Seymour · Monday, Sept. 13, 2021

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Life and death: Kay Westhues’ ‘The Specialness of Springs’

By Lexi Kilcoin · Friday, Sept. 10, 2021

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Still ‘Incredibly Close’ to the pain of 9/11

By Genevieve Coleman · Friday, Sept. 10, 2021

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'Cruella': One of Disney's best villain origins

By Nicole Bilyak · Thursday, Sept. 9, 2021

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‘Shang-Chi and the Legend of the Ten Rings’: A tokenist portrait of Chinese culture

By Joyce Fu · Thursday, Sept. 9, 2021

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Cheers for the Noodle Nook

By Rose Androwich · Wednesday, Sept. 8, 2021

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Jim Dine brings his pop art to the Snite

By Sophia Michetti · Wednesday, Sept. 8, 2021

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‘The Green Knight’ or how I learned to stop worrying and accept my fate

By Justin George · Tuesday, Sept. 7, 2021

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John Mulaney: ‘From Scratch’

By Willoughby Thom · Tuesday, Sept. 7, 2021

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‘Barb and Star Go to Vista Del Mar’: The problem of having boring leads

By Rose Androwich · Monday, Sept. 6, 2021

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Houseless, not homeless: ‘Nomadland’

By Angela Mathew · Monday, Sept. 6, 2021

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