‘Hurry Up Tomorrow’: What a way to say goodbye
The Weeknd’s cinematic, morbid musical is a characteristically audacious farewell to his stage persona.
The Weeknd’s cinematic, morbid musical is a characteristically audacious farewell to his stage persona.
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair—it was the year of hyperpop.
Reader beware — you’re in for a review of your next obsession!
The case for Tate McRae, from a writer whose entire playlist is Tate McRae songs right now.
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Some thoughts on Travis Scott's new song “4X4,” which was released during halftime at the College Football National Championship.
This nearly four-hour film is a triumph of ambition and beauty.
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Despite its lackluster music, the reboot is redeemed by its visuals.
“Lana” finds SZA accepting responsibility, making peace and letting go of loves that restrained her.
Timothée Chalamet shines as Bob Dylan in a biopic that honors his brilliance and mystery.
An attempt to make the thinking man’s “Fifty Shades of Grey.”
James Gunn delivers (another) comic book-inspired hit.
Robert Eggers’ remake of the legendary German film is all about original sin.
Reflections on the soundtrack of your youth becoming our classics.
Scene gives you the year’s artistic highlights.
Sabrina Carpenter’s imperfect Netflix special still highlights her unique strengths and offers excellent collaborations.
Aurinko Ballet shares their version of “The Nutcracker.”
Why you should catch the Browning’s screening of “Fargo” on Thursday.
Kickstart your Christmas season with the Muppets!