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Boyfriends are out of Vogue: Why can’t women catch a break?

By Genevieve Le Leux · Friday, Nov. 7, 2025

“You don’t need a man, but there’s nothing wrong with having something that you don’t strictly need.”

‘C.S. Lewis On Stage’: Earnest but awkward

By Mara Hall · Friday, Nov. 7, 2025

The show grappled with faith but was not without awkward moments.

‘Gabby’s Dollhouse: The Movie’: A simple but pleasant affair

By Rosie Maese · Wednesday, Nov. 5, 2025

The movie fulfilled its ultimate purpose, despite not being particularly appealing to a wider audience.

‘Back to the Future’ at 40

By Harry Penne · Wednesday, Nov. 5, 2025

Classic time travel film “Back to the Future” turns 40 this year. Does it still hold up?

‘What If?’: Alexander Stewart releases second album

By Mara Hall · Tuesday, Nov. 4, 2025

The up-and-coming artist Alexander Stewart has released his raw emotions from the last several years in his sophomore album, “What If?,” after signing a global record deal with Virgin Music last summer.

‘Bugonia’: Bold, bloody, brilliant

By Mason McCart · Tuesday, Nov. 4, 2025

The new Yorgos Lanthimos film is a timely, artful piece of modern cinema.

What’s working, and what isn’t, on Broadway

By Sheila-Marie Manyara · Monday, Nov. 3, 2025

“Seeing ‘Death Becomes Her’ instead of ‘Wicked’ was the best decision I have ever made.”

Joffrey Ballet performs in residence at DPAC

By Mara Hall · Monday, Nov. 3, 2025

The Joffrey Ballet performed “Broken Wings” and “Wabash & You,” featuring themes of identity and love in a series of shows this weekend.

‘Halloween III: Season of the Witch’: The most Halloween movie of the franchise

By Harry Penne · Friday, Oct. 31, 2025

“Halloween III: Season of the Witch” has the most overtly traditional Halloween vibes in the entire franchise, from the plot to the haunting visuals.

‘Roofman’: Celebrating crime

By Sydney Nelson · Thursday, Oct. 30, 2025

Cianfrance's 'Roofman' romanticizes and glamourizes the true crimes of Jeffrey Manchester.

‘I quit (deluxe)’: HAIM tackles relationship woes

By Mara Hall · Wednesday, Oct. 29, 2025

This year, HAIM has released their fourth album, “I quit,” with the deluxe version being released on Oct. 17. This album takes a new approach to old ideas with titles foiling those of Taylor Swift’s and significant sonic variety.

Tame Impala is back

By Jiya Patel · Wednesday, Oct. 29, 2025

Kevin Parker’s long-awaited new album is made for raves and losing yourself on the dance floor.

Goodbye ‘ring by spring,’ hello casual dating

By Madeline Owens · Tuesday, Oct. 28, 2025

The 12 golden rules of dating according to the Notre Dame “dating seminar.”

Falling in love with Trader Joe’s fall treats

By Aly Rothfus · Friday, Oct. 17, 2025

The autumn releases painstakingly reviewed, so you know what’s worth your time and worth your dollar when you’re snack-hunting over break.

Diane Keaton and her transcendent relatability

By Ellie Collins · Friday, Oct. 17, 2025

The monumental actress, director and author notable for films like “Annie Hall” and “Reds” passed last weekend.

‘An Enemy of the People’: Where morality is the minority

By Cate Stephens · Wednesday, Oct. 15, 2025

The recent Saint Mary’s performance contains the timeless message that self-interest and truth often do not coincide.

‘Happy Gilmore 2’ is a winning sequel

By Rosie Maese · Wednesday, Oct. 15, 2025

The long-awaited sequel to the beloved ‘90s classic delivers big laughs and some surprising emotional resonance.

‘Mickey 17’: sci-fi for everyone

By Makena Mwathi · Tuesday, Oct. 14, 2025

This 2025 release is an underrated science fiction film that deserves more attention.

The art of the GCal invite

By Allison Abplanalp · Tuesday, Oct. 14, 2025

The GCal invite is anything but the simple event organizer that mainstream productivity culture treats it as. It is an emerging art form waiting to be explored.

Keough-Naughton Institute hosts Luke Morgan for poetry reading

By Mara Hall · Monday, Oct. 13, 2025

Irish poet Luke Morgan read select poems and discussed their origin, significance and greater themes at an event hosted by the Keough-Naughton Institute for Irish Studies.

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